Life got a little in the way. I am doing a lot of this with my dad:
Hopefully, things will be back to normal soon. If you haven't read the first two weeks, they are linked here:
3. Ask the right questions
4. Reach out to others
This sketchbook page is not particularly demonstrative of anything but the practice. The shadings I did are standard shapes and light directions, but remembering the effect of shading and light on simple objects can help on a larger piece. Breaking it down, with only shades of grey, the power of suggestion with one medium, pencil, is powerful. As simple as it is, the attention to what is put on the page means something. Critically, the 4th square, the cone from above, needs to be reworked. The power in a sketchbook is the ability to leave it undone, to recognize strengths and errors, and let them be. There is a freedom in having a place to explore, and not have the results matter.
Sketching and doodling sets the mind free. Here is a photo of me killing time and playing with a pen in my sketchbook. nothing here is amazing, it is pretty much a hot mess. The lettering is awful, the designs squished and unbalanced, and overall it is just a technique dump. As atrocious as this is, the time and unattachment to the work develops skill, and allows me to play with creative ideas. See that rose in the middle? It evolved into the finished work I shared a week or so ago. At the time I did this, I had no idea it would evolve. There was no expectation for an outcome. Letting go of having to make something allows you to create.
I love contour drawing, it is a comfortable place for me. I have managed to spend far less time with shading. Portraiture is especially not a comfort area for me. I intentionally spend sketch time to explore the human face, and to explore the use of shading and tone to express the essence of a person. This sketch is of the squishy face my youngest gives me. The sketch is imperfect, but it definitely is catching the moment.